My Favorite Piece Of Writing Advice

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I like to talk about writing because I’m a writer. And if you ask me, I LOVE to talk about my books! Oh, I can tell you all about the half-dozens mostly-formed plots in my head, the interlocking trilogies, the fascinating characters, the wild plot twists – I can paint you vivid pictures that will have you begging me for more.

But the issue here is: it’s all in my head until I put it somewhere else. Like paper. Or a computer screen. And that’s where it’ll stay until I do some other things that result in it getting published, like endless queries and twitter conversations and ambushing editors at conventions and signing up for writer’s pitch conferences so I can pitch. Or I can jump through a thousand less hoops and self-publish, but I have to find a great cover artist, edit the everloving crap out of my work, get some beta readers, edit it again, ask an editor to edit, re-work and edit again, and then publish it.

Then I have to promote it, because while I do have some loyal and ardent readers, I don’t have great throngs of them as of yet. So I have to weigh which promotional activities are going give me the most bang for my buck and I have to blog and Facebook and Tweet and Tumblr and Instagram all that stuff.

But it all starts with one fundamental truth: Continue reading

Finding Your Characters – You Can’t Write ‘Em If You Don’t Know ‘Em #writing #amwriting #books

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I’ve mentioned before that I “cast” my novels in my head before I write them. This helps me stay on point and keep the characters true to themselves. So I might think they look like whatever celebrity but they have the personality of that guy from college that I always wish I had dated or maybe they’re like a mix between this tv show character’s personality and that movie star’s looks.

So I get that far, and then I have to start going deeper – what really makes them tick? This is where I start really fleshing them out. I found these guidelines on a forum board a long time ago –  I Googled them to try to find a source but they’re all over the internet and for good cause. This is what they call  the story circle – this will get you where you need to go: Continue reading

Under A Sky Full Of Stars

Girl Sitting on the rock looking at the Milky Way

So I’ve started on the next book.

I didn’t mean to, really. I still have a teeny-tiny bit of work on Someday In Dublin – not content, but formatting – and I just plain needed a break from it for a little while.

And this scene was rolling around in my head and I’ve found that when that happens, it’s best to just write it out. So I did.

The girl, out in the desert. Sitting on a mesa, under a sky full of stars. The stark, craggy rocks and bits of scrub brush around her. The lingering smell of the rain on the creosote bushes – something you can only experience while living in the desert (I grew up in New Mexico, so I know it well).

This one is going to be powerful. That’s the word. Powerful.

And now, back to the drips and drabs of Someday In Dublin.

This is what I love most about writing. I can go from a mesa to a cliff on the Irish coast, all in the same afternoon.

Sea landscape with the eye of Ireland in Howth, Ireland.

And Here It Is….The Big Reveal – Check Out The Final Cover (And Another Teaser)!! #amwritingromance

Sea landscape with the eye of Ireland in Howth, Ireland.

And this, folks, is why you pay a professional designer. I can knock out an okay-looking cover, but this….this is everything I wanted it to be.

If any of you are from Dublin, you know well that’s Howth in the foreground – and Howth features prominently in this tale.

This cover is pure romance, and once again, Colleen at Mystique Book Designs has knocked it out of the park. I can’t wait to put it all together and put it out there! In the meantime…here’s another little taste of Amy and Michael’s story:

Continue reading

To Sit In Solemn Silence…

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I don’t work well with music.

Well, not writing, anyway. Or the work at the day job. I can’t listen to music and get a damn thing done. I envy my coworkers, tapping away at their keyboards with their earbuds in, heads bobbing, passing the day in a blur.

I envy Stephanie Myers who can publish a soundtrack for her books (and then take a wheelbarrow of cash to the bank).

And if I have to do work that doesn’t involve my brain much, like cleaning a kitchen or folding laundry or cooking, I’ve got my reggae music blasting in the background and I’m hugely more productive for it. But if I sit down to write….I need to keep my ever-distracted brain on a leash, or it won’t get done.

If I’m listening to music I love, I’ll be singing along. Loudly. I’ll get so wrapped up in the music, I won’t be paying much attention to the task at hand. I lose my train of thought every time a great song swells into its chorus, or that glory note approaches.

Just one of the drawbacks of having a degree in Theatre with a minor in music, at least when it comes to discipline and writing, two words I don’t put together often enough.

Do you listen to music when you write? Do you think it helps you?

Never Underestimate The Importance Of Your Own Slush File

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I mentioned on Tuesday that I had to cut a chunk of stuff out of my latest book and throw it into my slush file.

My slush file is just a Word document that I’ve titled “Slush File” and I throw stuff in there that I liked well enough but maybe it didn’t work in the context of the story I was writing. Maybe it was a sex scene, or an argument, or a description of sunlight on somebody’s hair…who knows. It means it’s good enough to keep but not right to use with this particular project.

I revisit that file every single time I write a story, because you never know how it might inspire you. I’ve had two or three rough sentences become a kernel of an idea that expanded into a great scene within a chapter. I’ve hit writer’s block and pulled a chunk from that file to fill in and moved on, then came back later and reworked it into something much better after some time away.

I also keep a running slush file for each book in particular. That one I’ll call “overflow” and it contains scenes specific to those characters or that story line, but maybe they felt disjointed where I put them or didn’t have the right context around them. I either use them again someplace else, or at the end of the writing process for that book, I copy the unused pieces over to the slush file.

It’s a never-ending process, and quite frankly, my brain can’t hold it all. That’s where the slush file takes over.

And that slush leaves more room for the mush in my brain.

 

 

It’s Important To Listen To Your Characters – They Know What They’re Talking About

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Somewhere near the 2/3 done mark of Someday In Dublin, I hit writer’s block. I hit it bad. I had to figure out a way to reconnect these two after having blown them apart and I knew how the story had to end up (and another big reveal to resolve it) but the pathway to getting there…not so clear.

So I put it down for a bit, and I picked it up again. I reread and I wrote a bunch of stuff that took the story off track so I cut it and put it in my slush file and I tore my hair out and ground my teeth and wrote some more.

And then I went back and reread it again.

Now this is where my theatre training saves the day. I was all alone for the weekend because my kids were off with their Dad, so I printed up the damn manuscript and I started acting it out. Walking it through. Talking it through.

Back in the day, back before I even started trodding the boards, I actually won awards for playwriting. Dialogue has always been my strong suite, and when all else fails, I talk that scene through. I have that argument, or act out that love scene. I turn dramatically or stare longingly out a window or tenderly caress my cat’s face.

Don’t judge.

It works like a charm. Once I start channeling the characters and let them do the talking, the story gets legs again and off we go. And so it went with Someday In Dublin. And so Michael and Amy found a way.

You’re going to love this one. You’re just going to love it.

Someday In Dublin will be breaking for eBook soon, and in print shortly after that. I’ll keep you posted!

Do You Ever Worry That You’ll Run Out Of Ideas?

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Right now, I am swimming – swimming, I tells ya – in ideas for novels. Like, enough novels to keep me busy for the next year at least. But then what?

What if I can’t come up with the next thing?

What if I lose my mojo and just can’t do it anymore?

I worry about that! I honestly do. What if I fall in love with some guy and I’m so happy and fulfilled that I don’t know how to write angst and tension and horny people.

Okay, you never really forget how to be horny, I guess. But still….

These are the thoughts that keep me up at night, and then I sit up in bed, pull out the laptop and lull myself to sleep with the tapping of the keyboard as stuff spills out of my brain.

Then I read it over the next day and think “WTF did I write at 2am?”

And so the cycle continues…

So Here’s What I’m Working On Next…The Elemental Series

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I’m in final edits for Someday In Dublin, which means the greater majority of that book is in the can. Whew! And now I can really begin hammering out the next project – The Elemental Destiny Series.

This is going to be a four part work – four individual full-length novels with protagonists based on their affinity for one of the four elements: Earth, Air, Fire and Water. They won’t be releasing in that order – it’s more like Air, Water, Earth and Fire, but you get the gist of it.

Each of these characters lives partly in the supernatural world, though they are very firmly rooted in present-day earth. I’ve been kicking this one around for a good, long while, outlining and reworking the outline and fleshing it out.

One of my biggest complaints about The Seeder Saga (and I can’t help but think it was an issue for the readers) is that Books 1 & 2 are essentially stand-alone books, up until their final chapters. That’s mainly because when I wrote the first one, I hadn’t really planned for a trilogy, and then I was halfway into book two and could only hint at the plot of book three by introducing you to its hero in a passing manner.

Everything comes together in book three, with a lot of great callbacks and visits to our friends in books one and two, but they don’t really have the cohesive feel I’d like out of a series.

This one will have that, and an intricately woven plot that centers around a series of mysteries that reveal themselves through the course of the series, culminating in life-or-death decisions that will affect the entire human race.

This one is going to take a while to churn out, but it’ll be worth it, I promise. In the meantime, you’ll have Somewhere In Dublin, and I’ll toss a few more novellas your way to keep your blood pumping, I promise.

Off to work I go!