Making A Fanfic Into A Novel – It’s More Work Than You Think

If any of you are followers of my fanfiction, you know that I pulled one of my fics and reworked it a few months back into the novel “Eight Nights At Sea.”

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I thought to myself at the time, “Well, this will be a piece of cake. I just have to change some names and tweak it a little…”

Nope.

First of all, changing names is harder than you think. You can do a search in word and replace, but if you’ve got a name that carries the same letters as a common word, you’re really going to have fun. And don’t forget places where you may have bastardized the name – for instance, in one sentence I had the girl drunkenly singing the hero’s name, and therefore I hyphenated it to stretch it out for effect. Guess what I missed on the first upload and a reader caught for me. Yup!

Then there are things that are particular to your character that you might need to weed out – some because they’re just way too associated with a popular TV character (for instance, my novel pirate doesn’t have a hook replacing his hand, of course) and some you need to weed out because they don’t make a lot of sense outside the TV or Movie universe they were originally set in. Continue reading

My Writing Goals For 2015

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2014 was the year I really started trying to do more of the things that make me happy. Specifically, I decided to really, really give this writing thing a go.

  • I pitched a fully realized YA novel to a group of editors in New York and came away with three requests for the full manuscript.
  • I published seven fanfics, three adult novels, one adult novella and two short stories.Total word count – somewhere well above 500,000. Go me!
  • I blogged five days a week on two different platforms. I Tweeted, I Facebooked. I Tumblred, but not as much as I probably should have. I social media-d myself like crazy.
  • I had four blog posts go seriously viral (on another platform, not this one) and got featured on a nationally syndicated site over a dozen times.

All in all, it was a pretty good year, writing-wise.

For 2015, I’m hoping to accomplish the following:

  • Publish book 3 of the Seeder Saga. That will be happening shortly.
  • Write a contemporary adult romance. This one will be partly set in Samoa, and yes, he’ll be a hot islander guy and she’ll be steaming up the sand and surf with him. Yeah, baby.
  • Publish book one of my next trilogy, a wild fantasy tale about a girl with a very special gift, and the man who can’t get her out of his mind.
  • Publish a novella about a girl who takes a get-away-from-it-all trip to Ireland. I plan to research this personally. 🙂
  • Publish at least three more of my short stories as free reads.
  • Finish my YA trilogy. Books two and three are screaming to get out. I need to rework book one a bit, too – and then I’ll be pitching it again and again. If I don’t hit paydirt via the traditional route by year’s end, I’m publishing it myself.

And between all that, I’ll be freelancing and trying to work a day job and take care of my kids and maybe, somehow, actually have a social life. I’m not holding my breath on that last one.

So that’s the plan for the year, so far. Let’s hope I can hold to it.

Happy New Year, everyone!

How Do You Get Through Writer’s Block?

I have  two very important, very ENORMOUS deadlines staring me right in the face, and I’m coming off the holidays, just said goodbye to my Dad who was visiting, and my brainmeats are completely and utterly fried. I mean, just fried.

But I have to write. I have to write now. A lot. I’ve made promises, signed contracts, and this is where the discipline part of the job needs to kick in and I just have to get this done.

Ugh.

This, ladies and gentlemen, is why I am not a blockbuster author. I have the talent, I’m sure of that. I’ve been told that. I’m not JK Rowling. Stephen King or Ray Bradbury, here, but hell, I’m a decent read. Certainly better than a lot of crap out there. What I’m not, however, is disciplined, and that’s what makes the difference between a working writer and somebody who just likes to write.

I like to write. I love to write. I can’t not write. Except when I really have to, apparently.

Ugh.

I’ll be over here, pounding my head against this giant concrete block.

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OK, I’ll admit it. I have a real thing for Islander Guys and Irish Boys

Not that I couldn’t be perfectly happy with an all-American dude, but I have a real thing for big, beefy Polynesian guys. I’m talking The Rock. Jason Momoa. Davyd Thomas. The entire Toa Samoa rugby team. So freaking hot. I hear a group of guys doing the haka, and I’m like a Pavlovian dog or something. Instant ladyboner.

And then, on the other side of the world, are the Irish boys. Colin O’Donoghue. Cillian Murphy. Liam Neeson. Celtic Thunder. Give me a lilting brogue, a man with a pint, a randy song, and a ready grin, and I am putty in his hands. I’d be happy just to sit on a chair and listen to him talk all night.

Of course, I’ve never dated anyone from either of the aforementioned groups. I have seriously considered starting a naughty webcam service to finance a trip to Samoa or Ireland, but ChicksWithC-SectionScars.com just isn’t pulling them in like I thought it would.

So I guess I’ll just stick to writing about them, and hope some of you share my fascination with fierce warriors and cunning lads with a sparkle in their eye – at least enough so that you can finance a trip to satisfy my ridiculous libido.

Then again – and I honestly do worry about this, you guys – if I end up getting all my…cravings….satisfied, maybe I won’t be able to write about them anymore. Like it’ll be exorcised from my system or something.

Food for thought, but in the meantime, I’ll keep on steaming up the laptop with my tantalizing tales.

My Writer Brain Train Is DeRailing Itself

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So, here I am, knee-deep in my current fanfic (that’s it above), and my next fanfic idea is eating my gray matter, insisting that I outline it and begin sketching in some details.

So here I am, in final formatting and edits for the third book of my trilogy, and my next trilogy revealed itself in a burst of creative light a few days ago and is blazing through me, demanding to be written.

So here I am, trying to market my current Holiday Adult Romance, when another contemporary romance is snaking through my brain every evening on my commute home from work.

I have entirely, ENTIRELY too  much swirling in my brain and no time to harness any of it and direct it properly.

It’s frustrating in the extreme. But it’s all good. Better to be overflowing with ideas, than to have nothing.

I’ve had plenty of days where I had nothing.

Nothing sucks.

So here I am, trying to wade through all the juicy, sexy, crazy and intriguing plot details spilling out of my brain.

Yeah, baby. Bring it ON.

“What’s The Best Way To Write Smut?”

A reader PM’d me the other day to ask some writing advice, and one of her questions was “What’s the best way to write smut?”

My answer, of course, is “With your clothes off,” but I don’t think that’s what she was looking for. So here’s my thought on the topic:

Don’t try to write smut.

Seriously. I cannot stress this enough. Write a good story, instead. Give it characters that people can love or hate or laugh with or at or feel sorry for. Make them interact in fascinating, hilarious or heartbreaking ways. Build the story to several climaxes and have them resolve in a way that moves that story forward, then bring it all to a conclusion that makes the reader sorry to have to see it end.

And if, somewhere in there, two (or more) of your characters find themselves interacting in a way that would lead them to do something sexual to or with each other, then write it.

But for God’s sake, don’t just write a bunch of smut, paint a plot around it, and call it a story. That’s smut, all right. But it’s also probably crap. If you have to make your characters do the dirty deed, you’re not doing it right. They should be telling you how and where and when and for how long they’re doing it.

When I write a steamy scene, sometimes it’s incredibly detailed and played out, and sometimes, we’ll see lips meet, and a hand move down, and then they’re waking up the next morning next to each other. That’s not because I’m lazy or tired of writing about throbbing stuff and sliding tongues and trailing fingers – it’s because in that moment, that’s all we need. Maybe it’s more about the fact that one of them was still there when the morning light hit the windows.

And that’s because the story isn’t all about the smut. Smut, like humor, or tragedy, or obstacles thrown in a protagonist’s path, should be there to further the plot in some way. It’s okay to get really, really detailed (God knows I do often enough), but if you go overboard with it, it desensitizes the reader and subjugates your story.

As for your descriptive terms – well, I just say know your audience. I try not to get too purply in my prose (I’ve read entirely too much historical fiction referring to turgid manhood and heaving bosoms in my life) and I personally can’t stand people who write sex using clinical terms (oh, look – he’s manipulating her clitoris!) but that’s my personal preference. If your audience likes it, you’re doing something right.

And if your audience likes your story – even the chapters without the sexy stuff – you’re really, really doing it right.

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I Do Some Of My Best Writing….In The Car?

Yep. You read that right.

I work a day job that’s a forty-one mile commute in each direction, and some of that is in heavy traffic (not a lot, thank goodness, but it adds up). All told, I commute about 45 minutes in the morning and over an hour in the evening. That’s a whole lot of time in the car to sit and think.

And think.

And ponder, and muse, and invent wild scenarios and indulge steamy daydreams. That’s actually just how my first book in the Seeder Saga began, with a steamy daydream about a celebrity that morphed into this science fiction fantasy with a really dominant guy who also happened to have a couple of gorgeous brothers.

I use the commute to help me think out loud when plotting my fanfics, too. The challenge with writing fanfic is that you have to write it chronologically, and (most importantly) you have to write it true to character voice. I pride myself on the fact that a good deal of my reviewers tell me that I am spot-on in the way I voice all the characters of Storybrooke, or that my fic could easily be a seasonal arc for the show. It means I’m doing it right and in a way that rings authentically for them.

I have these imaginary dialogues in the car or I talk out loud and say “Okay, if this happens, then that would happen next, which would really make this character feel ________.” People driving by must think I’m nuts – or maybe it just looks like I’m singing along to the radio or something – but the truth is, my characters are having an argument, or I need to brainstorm a really good plot convenience that doesn’t look like a plot convenience, or I’m trying to figure out how a plot twist I’ve just come up with affects the continuity of the piece.

So I’m actually grateful for my long-ass commute. It makes me a better writer. Where is your best writing done?

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